Janet Currier’s sculptures, drawings and paintings explore everyday experiences like the joy and messiness of motherhood,  the anxiety of sickness and the stress of trying to hold it together in a precarious world. Although her starting point is often autobiographical, Currier’s work examines universal themes of physical vulnerability, care, motherhood, resilience and transformation.

Pattern and repetition are central to her work. Sculptures incorporate small scraps from well washed, much loved pyjamas. Patterned polycotton is used as a surface to paint on or is painstakingly reproduced as a background. Repeated marks, and motifs in her drawings and wallpapers, or the assembled masses of sculptures in her installations, become a stand in for the repetitive nature of domestic labour and caring for others. This reproductive labour is work that seems as if on a constantly overlooked and never-ending loop. It is work that Currier suggests is both monotonous and miraculous in its skill. It is loving endeavour that the world depends upon yet so seldom acknowledges.

The female and maternal body is never far away. Soft sculpture installations suggest flesh that is squashed and compressed. Sometimes the shape of a body, or its parts or an imagined internal view is seen. It is most often a body that is under attack, being probed, or leaking or somehow not quite able to contain itself or the memories held within. 

Recent works reference bodily processes at a microscopic level where cells mutate, viruses multiply, and diseases threaten to engulf. They examine the fragility of our existence, and our interdependence on a multiverse of organisms that we don’t yet understand.

Janet Currier lives and works in London. She received her MFA from Goldsmiths in 2017, winning the Warden’s Art Prize that year. Currier’s work is held in various private and public collections including Goldsmiths College Collection. She was awarded the first Elephant Residency at Griffin Studios in 2017. She was shortlisted for the Denton Prize in 2020.

 Biography

b. Canada, 1963

Lives and works in London

 

Education

2017 M.F.A Fine Art   University of London – Goldsmiths College 

1995 M.A. Applied Anthropology and Youth and Community Work   - Goldsmiths College

1986 B.A. Hons Fine Art 2.1, University of Leeds                                                                

 

Solo and two person Exhibitions

2025 Shapeshifting, Clements and Co Gallery London

2018 Waiting Room, Deptford x Fringe, Waldron Health Centre, London SE8

2014      Let me go to the window, Harts Lane Studios, New Cross, London 

2011 Small things, big thoughts, Deptford X, London

 

Group Exhibitions

2025 Soft Verge, They come they sit they go, London

2024 Blink Room 6, Safe House 2, Peckham ,London

Extempore 24, Tension Fine Art, London

2023    Holding Space, Hospital Rooms at Hauser and Wirth, London

It’s Coming From Inside, Bell House, Dulwich, London

Fetish, Greatorex Studios, London

2022     Before the moon I am, Hoxton Arches, London

2020     Hell or Highwater, Lightvessel21, Gravesend, Kent

Fuzzy Objects, San Mei Gallery, Brixton, London

2019 Afterhours, San Mei Gallery, Brixton, London

Entitled, The Spike, Bristol

2018 Substrate, No Format Gallery, Deptford London

2017      Goldsmiths MFA Degree Show, Goldsmiths College

Mothership 2, Bruton Arts Factory, Bruton Somerset

2016 Mothership, The Sawmills, Wandsworth, London

2014      Safespace, The Shipwright's Palace, Deptford, London  

2013 Otherworldly, Harts Lane Studios, New Cross, London 

Light Houses, Telegraph Hill Film Festival, New Cross, London

2011     100 pictures 100 words, The Hill Station, Telegraph Hill, London

2007      Recent Fruit, Paul Mcpherson Gallery, Greenwich, London

2006      Six, Paul Mcpherson Gallery, Greenwich, London

 

Awards and Residencies

2021      Shortlisted for the Denton Art Prize 10, London

2017-18 Elephant Residency - with Elephant Magazine hosted by Griffin Studios at Colart, West London

2017     Wardens Purchase Prize, Goldsmiths College, London

  

Selected Creative engagement projects

2018-21 Vincent’s Treasures and other creative education projects with local schools and youth groups at Van Gogh House and San Mei Gallery in London

2010-11 Airborne Families - creative evaluation workshops for Scarabeus Aerial Theatre Company

2006 Changing Spaces - Discover/Creative Partnerships/ Maryland Primary School, London

2010 Tate Modern / Southwark Adult and Family Learning Service - Artist Educator

2010    Be in the Know – Young Leaders Magazine Bermondsey Street, London SE1

2009    Change Schools Programme, Chingford Community School/ A New Direction/Creative Partnerships

2007-9 Resident artist/ Family Learning workshop leader Rotherhithe Primary School, Southwark/ Café Gallery Southwark Park

2008    Green Team Mural Project, St Andrew’s School Islington, London


 
Publications:

Roseo, Maria Rosaria Roseo: Janet Currier: interview, Artemorbida July 2022

Hell or High Water Film, courtesy of Spaghetti Weston Films

Walsh, Roxy: Amitie, in Fuzzy Objects: Amitie, June 2020

Sundby, Stephanie Serrano. «Det vokser, formeres og spres: En essayistisk analyse av ulike former for fysisk vekst.» Periskop - Forum for Kunsthistorisk Debat, nr. 22. (2019): 114 -119. 

Why are we still in the cracks? Pp10-14, Still We Rise: Art Within the Cracks: Vol 1, December 2019

Janet Currier: Motherhood and Microbiology, pp 88-89,Elephant Magazine, Issue 35, summer 2018

 5 Questions with Janet Currier– Emily Steer for Elephant: https://elephant.art/5-questions-with-janet-currier/#.WgC91RD5DHk.facebook

In conversation with Mothership, December 2016 in Curating the Contemporary, 

Mothership – celebrating the Role of the Mother Artist, Mothership exhibition review in Life as a human, January 24th2017, by AJ Delany and Alix Mortimer